L o o k i n g f o r m y E v e

14.12.13

Woodkid - I Love You

Where the light shivers offshore

Through the tides of oceans

We are shining in the rising sun

As we are floating in the blue

I am softly watching you

Oh boy your eyes betray what burns inside you

Whatever I feel for you

You only seem to care about you

Is there any chance you could see me too?

Cause I love you

Is there anything I could do

Just to get some attention from you?

In the waves I've lost every trace of you

Where are you?

After all I drifted ashore

Through the streams of oceans

Whispers wasted in the sand

As we were dancing in the blue

I was synchronized with you

But now the sound of love is out of tune

11.12.13

7.12.13

HOW SHOULD I YOUR TRUE LOVE KNOW FROM ANOTHER ONE?

WHILE DOING SOME RESEARCH FOR MY UNIVERSITY ESSAY I FOUND OUT THAT IN A FILM CALLED EXPRESSO BONGO (1959) THERE WERE LOTS OF BEATNIKS IN A BACKGROUND OF ONE OF THE SCENE OF THIS FILM. SO I DECIDED TO CHECK THIS ON YOUTUBE WEBSITE AND I REALLY ENJOYED IT! I FELL IN LOVE WITH THIS SCENE AND I AM LOOKING FORWARD TO TO THE WHOLE FILM. >>

6.12.13

lucid stead by phillip k smith iii

AMERICAN ARTIST PHILLIP K SMITH III HAS ADDED MIRRORS TO THE WALLS OF A DESERT SHACK IN CALIFORNIA TO CREATE THE ILLUSION THAT YOU CAN SEE RIGHT THROUGH THE BUILDING. ENTITLED ‘LUCID STEAD’, THE INSTALLATION WAS CREATED ON A 70-YEAR-OLD WOODEN RESIDENCE WITHIN THE CALIFORNIA HIGH DESERT. MIRRORED PANELS ALTERNATE WITH WEATHER-BEATEN TIMBER SIDING PANELS TO CREATE HORIZONTAL STRIPES AROUND THE OUTER WALLS, ALLOWING NARROW SECTIONS OF THE BUILDING TO SEEMINGLY DISAPPEAR INTO THE VAST DESERT LANDSCAPE.

‘WHEN YOU SLOW DOWN AND ALIGN YOURSELF WITH THE DESERT, THE PROJECT BEGINS TO UNFOLD BEFORE YOU. IT REVEALS THAT IT IS ABOUT LIGHT AND SHADOW, REFLECTED LIGHT, PROJECTED LIGHT, AND CHANGE.’ FURTHER SMITH EXPLAINS: ‘ONE MIGHT SEE BLUE, RED, AND YELLOW… BUT LOOKING DOWN AND WALKING TEN FEET TO A NEW LOCATION REVEALS THAT THE WINDOWS ARE NOW ORANGE, PURPLE AND GREEN.’ AT NIGHT WHITE LIGHT IS PROJECTED THROUGH THE WALLS OF THE CABIN, REVEALING THE DIAGONAL CROSS BRACING THAT FORMS THE BUILDING’S INTERIOR FRAMEWORK AND GIVING ALSO AN FASCINATING IMPRESSION TO THE VIEWER.