Paintings based on photos taken in Southern California depicting ordinary scenes that people often miss.
Nearly all my paintings are based on photographs I have taken, primarily of Southern California scenes, over the years. Though it was never my intention to depict nostalgic scenes, many of the images I have painted have disappeared or been radically altered in the ever-changing landscape that is Southern California. Thus nostalgia is thrust upon the works. But what I am really after is bearing witness, and making people stop what they're doing and pay attention, to something they may have never seen before, but that makes them feel “I know this.”
Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun’s minimalist constructions effortlessly reverberates. Zimoun’s sound sculptures and architectural interventions combine visual, sonic, and spatial elements. He’s using simple mechanical systems to transform and activate the space.
Be careful when spitting out your gum or throwing away your cigarette butt, you might just end up hanging on Heather Dewey-Hagburg’s wall. The information artist and PhD student creates portrait sculptures from analyses of genetic material collected in public places, working with the traces strangers unwittingly leave behind. A fascinating yet scary project that shows that we don not only consits of data on some papers or on the web but leave traces everywhere we go without even noticing. The heads below are actually shaped by their samples that you’ll find in the picture above.
Shot by an early British pioneer of film named Claude Friese-Greene, who made a series of travelogues using the colour process his father William - a noted cinematographer - was experimenting with.